Renditions
Beethoven, Bach and Pachelbel, covered by a boxful of plastic synths — open any one in the Studio and press play.
Famous melodies you'll actually recognise — arranged by hand onto the instruments in the collection. These are covers in the PlasticSynth voice, not recordings: every note is played live by our own plastic synths, so a Bach prelude comes out glassy and a Beethoven theme comes out soft and round. Open one in the Studio, press PLAY, then pull it apart — it's a sandbox copy, so you can't break the original or your own saved work.
Every piece here is in the public domain (classical or traditional), and each is trimmed to one memorable, looping phrase rather than the whole score.
Beethoven's tender bagatelle, its rocking A-minor theme sung on a soft plastic-synth voice.
The hymn from the Ninth Symphony — its stepwise, singable theme over a plain, glowing bass.
The most-loved progression ever written — the walking ground bass with a chord-tone descant floating above.
The first prelude of the Well-Tempered Clavier: nothing but rolling broken chords, endlessly calming.
The nursery tune Mozart wrote twelve dazzling variations on — here, just the sweet theme and its bass.
The graceful minuet long credited to Bach — a lilting three-four melody over a courtly bass.