Renditions
Familiar melodies, their stories, and the little arrangements inside them.
Famous melodies you'll actually recognise — arranged by hand onto the instruments in the collection. These are covers in the PlasticSynth voice, not recordings: every note is played live by our own plastic synths, so a Bach prelude comes out glassy and a Beethoven theme comes out soft and round. Open one in the Studio, press PLAY, then pull it apart. It opens as a copy; the shared original and your saved rack stay untouched.
Every piece here is in the public domain (classical or traditional), and each is trimmed to one memorable, looping phrase rather than the whole score.
Für Elise
Beethoven's tender bagatelle, its rocking A-minor theme sung on a soft plastic-synth voice.
Ode to Joy
The hymn from the Ninth Symphony — its stepwise, singable theme over a plain, glowing bass.
Canon in D
The most-loved progression ever written — the walking ground bass with a chord-tone descant floating above.
Prelude in C
The first prelude of the Well-Tempered Clavier: nothing but rolling broken chords, endlessly calming.
Ah! vous dirai-je, maman
The nursery tune Mozart wrote twelve dazzling variations on — here, just the sweet theme and its bass.
Minuet in G
The graceful minuet long credited to Bach — a lilting three-four melody over a courtly bass.